Saturday, 30 May 2009

William Windsor (goat)

William Windsor (goat)

From Wikipedia, the free encyclopedia

William Windsor

NicknameBilly
AllegianceFlag of the United Kingdom United Kingdom
Service/branchBritish Army
Years of service2001–2009
RankLance Corporal
Unit1st Battalion, the Royal Welsh
Other workWhipsnade Zoo

William Windsor (known as Billy), a goat in the military, was a lance corporal in the 1st Battalion, the Royal Welsh, an infantry battalion of the British Army.[1] He served as a lance corporal from 2001 until 2009, except for a three month period in 2006 when he was demoted to fusilier, after unacceptable behaviour during the Queens' birthday celebrations while deployed on active service with the battalion on Cyprus. He retired to Whipsnade Zoo in May 2009.

Contents

Biography

The tradition of having goats in the military originated in 1775[2] when a wild goat walked onto the battlefield in Boston[2] during the American Revolutionary War and led the Welsh regimental colours at the end of the Battle of Bunker Hill.[3][4]

Billy, a Kashmir goat[5] from the royal herd at Whipsnade Zoo,[6] was presented to the regiment by Queen Elizabeth II in 2001.[7] He is said to be friendly, and likes meeting people.[1] The tradition is not new. Since 1844, the British Monarchy has presented an unbroken series of Kashmir goats to the Royal Welch Fusiliers from the crown's own royal herd.[8]

The royal goat herd was originally obtained from[8] Mohammad Shah Qajar, Shah of Persia from 1834-1848,[9] when he presented them to Queen Victoria as a gift in 1837 upon her accession to the throne.[8] Billy is thus descended from the same royal bloodline as the original herd.[10]


Military career

Another regimental goat, like William Windsor. In this case, Taffy the IV of the 2nd Battalion of the Welsh Regiment who was on active duty in France during World War I, participating in the Retreat from Mons, the First Battle of Ypres and other famous battles. He was awarded the 1914 Star.[11]

Billy — Army number 25232301[5] — is not a mascot, but a ranking member of the regiment;[1] since joining in 2001,[5] he has served overseas, and has met royalty.[1] His primary duty was to march at the head of the battalion on all ceremonial duties.[1] He was present for every parade in which the regiment participated.[1]

He spent two and a half years in Cyprus while the battalion was posted there, and has lived in Chester since their return.[1]


Goat Major

Billy had a full-time handler during his military service, Lance-Corporal Ryan Arthur, known as the Goat Major, who ensured Billy's welfare at all times.[1][6]


Temporary demotion

On 16 June 2006,[7] a parade was held to celebrate Queen Elizabeth II's 80th birthday,[5] at the Episkopi base near Limassol, Cyprus on the Mediterranean island's south coast.[5] Invited dignitaries included the ambassadors of Spain, the Netherlands and Sweden and the Argentine commander of United Nations' forces on Cyprus.[12]

The deployment to Cyprus with the 1st Battalion was Billy's first overseas posting,[7] and despite being ordered to keep in line, he refused to obey.[7] He failed to keep in step,[12] and tried to headbutt a drummer.[13] The Goat Major, Lance Corporal Dai Davies, 22, from Neath, South Wales, was unable to keep him under control.[12]

As a result of his actions, Billy was marched before his commanding officer, Huw James, after being reported for "unacceptable behaviour"[5] and "lack of decorum".[12] He was reported through the chain of command, accused of disobeying a direct order,[12] and following a disciplinary hearing was demoted from lance corporal to fusilier.[12][1] The change meant that other fusiliers in the regiment no longer had to stand to attention when Billy walked past, as they had to when he was a lance corporal.[7]

The British Army in Cyprus had received a protest letter from a Canadian animal rights group demanding that the Army reinstate Billy as he was "only acting the goat" during the Queen's ceremony.[5] Three months later, on 20 September[5] at the same parade ground,[5] Billy regained his rank during the Alma Day parade which celebrates the Royal Welsh victory in the Crimean War.[5] Captain Simon Clarke said, "Billy performed exceptionally well, he has had all summer to reflect on his behaviour at the Queen's birthday and clearly earned the rank he deserves".[5]

Billy received his promotion from the Colonel of the Royal Welsh Regiment, Brigadier Roderick Porter.[5] As a result of regaining his rank, he also regained his membership of the Corporals' Mess.[5]

Billy is not the first goat in the army to have troubles. At one time a royal goat was "prostituted"[8] by being offered for stud services by the regiment's serving goat major to a Wrexham goat breeder.[8] First charged with lèse majesté,[14] the goat major was ultimately court-martialled under the lesser charge of "disrespect to an officer"[8] and reduced in rank.[8] The goat major claimed he did it out of compassion for the goat, but this failed to impress the court.[8] Another royal fusilier goat earned the nickname "the rebel", after he butted a colonel while he was stooped over fixing his uniform's trouser-strap.[15] The incident was described as a "disgraceful act of insubordination."[15]


Retirement

Following eight years of distinguished service,[6] Billy retired due to his age.[1]

On 20 May 2009,[6] he was led into his trailer by the battalion's Goat Major in full ceremonial dress,[1] including a silver headdress which was a gift from the Queen[16] in 1955.[17] Soldiers from the battalion lined the route from his pen to the trailer as he left the camp for the last time.[1] Billy returned to Whipsnade Zoo in Bedfordshire.[1]

His replacement will be chosen from a herd on the Great Orme in Llandudno[1] in June.[6]

Wednesday, 27 May 2009

Doré

Gustave Doré

From Wikipedia, the free encyclopedia

Gustave Doré

BornJanuary 6, 1832(1832-01-06)
Strasbourg, France
DiedJanuary 23, 1883 (aged 51)
Paris, France
NationalityFrench
FieldArt (Paint, Engrave, Illustrate)

Paul Gustave Doré (January 6, 1832January 23, 1883) was a French artist, engraver, illustrator and sculptor. Doré worked primarily with wood engraving and steel engraving.

Life

Doré was born in Strasbourg and his first illustrated story was published at the age of fifteen. Doré began work as a literary illustrator in Paris. Doré commissions include works by Rabelais, Balzac, Milton and Dante. In 1853 Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated English Bible. In 1863, Doré illustrated a French edition of Cervantes's Don Quixote, and his illustrations of the knight and his squire Sancho Panza have become so famous that they have influenced subsequent readers, artists, and stage and film directors' ideas of the physical "look" of the two characters. Doré also illustrated an oversized edition of Edgar Allan Poe's "The Raven", an endeavor that earned him 30,000 francs from publisher Harper & Brothers in 1883.[1]

Doré's English Bible (1866) was a great success, and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in New Bond Street. In 1869, Blanchard Jerrold, the son of Douglas William Jerrold, suggested that they work together to produce a comprehensive portrait of London. Jerrold had gotten the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson in 1808. Doré signed a five-year project with the publishers Grant & Co that involved his staying in London for three months a year. He was paid the vast sum of £10,000 a year for his work.

The book, London: A Pilgrimage, with 180 engravings, was published in 1872. It enjoyed commercial success, but the work was disliked by many contemporary critics. Some critics were concerned with the fact that Doré appeared to focus on poverty that existed in London. Doré was accused by the Art Journal of "inventing rather than copying." The Westminster Review claimed that "Doré gives us sketches in which the commonest, the vulgarest external features are set down." The book was also a financial success, and Doré received commissions from other British publishers. Doré's later works included Coleridge's Rime of the Ancient Mariner, Milton's Paradise Lost, Tennyson's The Idylls of the King, The Works of Thomas Hood, and The Divine Comedy. His work also appeared in the Illustrated London News. Doré continued to illustrate books until his death in Paris in 1883. He is buried in the city's Père Lachaise Cemetery.

In "Pickman's Model", author H. P. Lovecraft praises Doré: "There's something those fellows catch - beyond life - that they're able to make us catch for a second. Doré had it. [Sidney] Sime has it."

Gallery

Gallery of Gustave Doré
Orlando Furioso
Jacob Wrestling with the Angel - 1855
Little Red Riding Hood
The Creation of Light
Jonah and the Whale
The Deluge
Illustration: Orlando Furioso
Illustration: Orlando Furioso  
Illustration: Orlando Furioso
Illustration: Orlando Furioso  
Illustration: Paradise Lost
Illustration: Paradise Lost  
Illustration: Death Depicted as the Grim Reaper on Top of the World  from The Raven
Illustration: Death Depicted as the Grim Reaper on Top of the World from The Raven  
The Judgment of Solomon
The Judgment of Solomon  
Andromeda
Doré illustrated several fairy tales:  Cendrillon (or Cinderella)
Doré illustrated several fairy tales: Cendrillon (or Cinderella)  
A Doré wood engraving illustration from The Divine Comedy
A Doré wood engraving illustration from The Divine Comedy  
Camelot,  an illustration for Idylls of the King
Camelot, an illustration for Idylls of the King  
Over London by Rail, c. 1870. From London: A Pilgrimage
Over London by Rail, c. 1870. From London: A Pilgrimage  
Merlin advising King Arthur, an illustration for Idylls of the King
Merlin advising King Arthur, an illustration for Idylls of the King  
'Le Defense Nationale', bronze sculpture, Rosenberg Library, Galveston, Texas
'Le Defense Nationale', bronze sculpture, Rosenberg Library, Galveston, Texas  
Charon, from the Divine Comedy
Charon, from the Divine Comedy  
Charon herds the sinners onto his boat, taking them to be judged (The Divine Comedy)
Charon herds the sinners onto his boat, taking them to be judged (The Divine Comedy)  
Titans and giants, from Dante's Divine Comedy.
Titans and giants, from Dante's Divine Comedy.  
The Death of Jezebel
The Death of Jezebel  

Tuesday, 26 May 2009

Kuniyoshi

Utagawa Kuniyoshi

From Wikipedia, the free encyclopedia

Utagawa Kuniyoshi (ca. 1797 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting and belonged to the Utagawa school.

Biography

He was born in 1797, the son of a silk-dyer, originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience influenced his rich use of color and textile patterns in prints. It is said that Kuniyoshi was impressed, at an early age of seven or eight, by ukiyo-e warrior prints, and by pictures of artisans and commoners (as depicted in craftsmen manuals), and it is possible these influenced his own later prints.

A painting of the arhat Handaka by Utagawa Kuniyoshi (British Museum)

Here is a partial list of his print series, with dates:

  • Illustrated Abridged Biography of the Founder (c. 1831)
  • Famous Views of the Eastern Capital (c. 1834)
  • Heroes of Our Country's Suikoden (c. 1836)
  • Stories of Wise and Virtuous Women (c. 1841-1842)
  • Fifty-Three Parallels for the Tōkaidō (1843-1845) (with <Hiroshige and <Toyokuni III)
  • Twenty-Four Paragons of Filial Piety (1843-1846)
  • Mirror of the Twenty-Four Paragons of Filial Piety (1844-1846)
  • Six Crystal Rivers (1847-1848)
  • Twenty-Four Chinese Paragons of Filial Piety (c. 1848)
  • Sixty-Nine Stations along the Kisokaido (1852)
  • Portraits of Samurai of True Loyalty (1852)
  • 24 Generals of the Kai Provence (1853)
  • Half-length portrait of <Goshaku Somegoro
  • <Takiyasha the Witch and the Skeleton Spectre

Gallery

Friday, 27 February 2009

Harmonic Series

Harmonic series (music)

From Wikipedia, the free encyclopedia

See Harmonic series (mathematics) for the (related) mathematical concept.
Harmonic series of a string.

Pitched musical instruments are often based on an approximate harmonic oscillator such as a string or a column of air, which oscillates at numerous frequencies simultaneously. At these resonant frequencies, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest possible frequency, and such multiples form the harmonic series.

The musical pitch of a note is usually perceived as the lowest partial present, which may be the one created by vibration over the full length of the string or air column, or a higher harmonic chosen by the player. The musical timbre of a steady tone from such an instrument is determined by the relative strengths of each harmonic.

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Harmonic series (mathematics)

From Wikipedia, the free encyclopedia

See Harmonic series (music) for the (related) musical concept.

In mathematics, the harmonic series is the infinite series

\sum_{k=1}^\infty \frac{1}{k} = 1 + \frac{1}{2} + \frac{1}{3} + \frac{1}{4} + \cdots.\!

Its name derives from the concept of overtones, or harmonics, in music: the wavelengths of the overtones of a vibrating string are 1/2, 1/3, 1/4, etc., of the string's fundamental wavelength. Every term of the series after the first is the harmonic mean of the neighboring terms; the term harmonic mean likewise derives from music.

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Thursday, 8 January 2009

Doctor Zhivago

Doctor Zhivago

From Wikipedia, the free encyclopedia

Doctor Zhivago
Image:Doctor Zhivago-1st edition.jpg
First edition cover
AuthorBoris Pasternak
CountryItaly
LanguageRussian
Genre(s)Historical, Romantic novel
PublisherFeltrinelli (first edition), Pantheon Books
Publication date1957
Media typePrint (Hardback & Paperback)
Pages592 (Pantheon)
ISBNNA (Feltrinelli) & ISBN 0-679-77438-6 (Pantheon)

Doctor Zhivago is a 20th century novel by Boris Pasternak. The novel is named after its protagonist, Yuri Zhivago, a medical doctor and poet. The word zhivago shares a root with the Russian word for life, one of the major themes of the novel. It tells the story of a man torn between two women, set primarily against the backdrop of the Russian Revolution of 1917 and the subsequent Russian Civil War of 1918-1920. More deeply, the novel discusses the plight of a man as the life that he has always known is dramatically torn apart by forces beyond his control. The book was made into a film by David Lean in 1965 and has also been adapted numerous times for television, most recently as a miniseries for Russian TV in 2005. It is also one of the best known political novels of the century[citation needed].

Contents

Foreground

First Italian edition cover

Although it contains passages written in the 1910s and 1920s, Doctor Zhivago was not completed until 1956. After submission for publication to the journal Novy mir, it was rejected because of Pasternak's political viewpoint (incorrect in the eyes of the Soviet authorities): the author, like Dr Zhivago, was more concerned with the welfare of individuals than with the welfare of society, and Soviet censors construed passages as anti-Marxist. There are implied critiques of Stalinism and references to prison camps. In 1957, the Italian publisher Giangiacomo Feltrinelli smuggled the book manuscript from the Soviet Union and simultaneously published editions in both Russian and Italian in Milan, Italy. The next year, it was published in English, (translated from the Russian by Ehud Harari and Max Hayward) and was eventually published in a total of eighteen different languages. The publication of this novel was partly responsible for Pasternak's being awarded the Nobel Prize for Literature in 1958. The Soviet government asked the committee not to award him the prize, leading him to reject it in order to prevent a scandal back at home; Boris Pasternak died on 30 May 1960, of natural causes.

Doctor Zhivago was finally published in the Soviet Union in 1988, in the pages of Novy mir, although earlier samizdat editions existed.

Plot summary

Yuri Zhivago is sensitive and poetic nearly to the point of mysticism. In medical school, one of his professors reminds him that bacteria may be beautiful under the microscope, but they do ugly things to people.

Zhivago's idealism and principles stand in contrast to the brutality and horror of World War I, the Russian Revolution, and the subsequent Russian Civil War. A major theme of the novel is how mysticism and idealism are destroyed by both the Bolsheviks and the White Army alike, as both sides commit horrible atrocities. Yuri witnesses dismemberment and other horrors suffered by the innocent civilian population during the turmoil. Even the love of his life, Lara, is taken from him.

He ponders on how war can turn the whole world senseless, and make an otherwise reasonable group of people destroy each other with no regard for life. His journey through Russia has an epic, dreamlike, almost surreal feeling because of his traveling through a world which is in such striking contrast to himself, relatively uncorrupted by the violence, and to his desire to find a place away from it all, which drives him across the Arctic Siberia of Russia, and eventually back to Moscow. Pasternak gives subtle criticism of Soviet ideology: he disagrees with the idea of "building a new man," which is against nature.

Lara's life is also dealt with in considerable detail. Lara, whose full name is Larissa Feodorovna Guishar (later Antipova), is the daughter of a bourgeois mother. She becomes involved in an affair with Viktor Komarovsky, a powerful lawyer with political connections, who both repulses and attracts her. Lara is engaged to Pavel "Pasha" Antipov, an idealistic young student who becomes involved in Bolshevism through his father. Torn between the two men, she is raped by Komarovsky for attempting to break off their "arrangement" and attempts to kill him.

Zhivago briefly encounters Lara while assisting his mentor who has been called by Komarovsky to the scene of the attempted suicide of Lara's mother in response to Lara's and Komarovsky's scandalous relationship. A second short significant encounter occurs at a society Christmas party, in conjunction with Lara's attempted assassination of Komorovsky in response to his recent rape of her. Zhivago is here "given" Lara as a wedding present by the condescending Komorovsky. Lara and Zhivago truly meet following a roadside encounter between First World War troop columns, one group being miserable retreating Russian Army deserting veterans and the other group are new recruits bound for the hopeless conditions at the Front. Lara has been serving as nurse while searching for her assumed-dead husband Antipov. The two fall into an unrequited mutual love as they serve together in a makeshift field hospital. They do not consummate their relationship until much later, meeting in the town of Yuriatin after the war.

Pasha and Komarovsky continue to play important roles in the story. Pasha is assumed killed in World War I, but is actually captured by the Germans and escapes. He joins the Bolsheviks and becomes Strelnikov (the executioner), a fearsome Red Army general who becomes infamous for executing White prisoners (hence his nickname). However, he is never a true Bolshevik and yearns for the fighting to be over so he can return to Lara. (The film version would change his character significantly, making him a hard-line Bolshevik.)

Another major character is Liberius, commander of the "Forest Brotherhood", the Red Partisan band which conscripts Yuri into service. Liberius is depicted as loud-mouthed and vain, a dedicated and heroic revolutionary, who bores Yuri with his continuous lectures on the justice of their cause and the inevitability of their victory. He is also addicted to cocaine.

Komarovsky reappears towards the end of the story. He has gained some influence in the Bolshevik government and been appointed head of the Far Eastern Republic, a Bolshevik puppet state in Siberia. He offers Zhivago and Lara transit out of Russia. They initially refuse, but Komarovsky privately persuades Zhivago that it is in Lara's best interests to leave; Zhivago convinces Lara to go with Komarovsky, telling her (falsely) that he will follow her shortly.

Meanwhile, Antipov/Strelnikov falls from grace, loses his position in the Red Army, and returns to Varykino, near Yuriatin, where he hopes to find Lara. She, however, has just left with Komarovsky. After having a lengthy conversation with Zhivago, he commits suicide and is found the next morning by Zhivago. In the movie, he is captured 5 miles outside of Yuriatin. On the way to his execution he grabs a pistol from a guard and kills himself. Zhivago's life and health go downhill from this point; he lives with (but does not marry) another woman and has two children with her, plans numerous writing projects but does not finish them, and is increasingly absent-minded, erratic, and unwell. Lara eventually returns to Russia on the day of Zhivago's funeral. She gets Evgraf, his half brother, to try to find her daughter but then disappears.

During World War II Zhivago's old friends Nika Dudorov and Misha Gordon meet up. One of their discussions revolves around a local laundress named Tonya, a bezprizornaya or parentless child, one of many left by the Civil War, and her resemblance to Zhivago. Much later they meet over the first edition of Zhivago's poems. It's unclear in the book why they haven't been published before or why they have been published now.

Other major characters include Tonya Gromeko, Zhivago's wife, and her parents Alexander and Anna, with whom Zhivago lived after he lost his parents as a child. Yevgraf (Evgraf) Zhivago, Yuri's younger illegitimate half-brother (son of his father and a Mongolian princess), is a mysterious figure who gains power and influence with the Bolsheviks and helps his brother evade arrest throughout the course of the story.

The book is packed full of odd coincidences; characters disappear and reappear seemingly at random, encountering each other in the most unlikely places.

Pasternak's description of the singer Kubarikha in the chapter "Iced Rowanberries" is almost identical to the description of the gypsy singer Nadezhda Plevitskaya (1884-1940) by Sofia Satina (sister-in-law and cousin of Sergei Rachmaninoff). Since Rachmaninoff was a friend of the Pasternak family, and Plevitskaya a friend of Rachmaninoff, Plevitskaya was probably Pasternak's "mind image" when he wrote the chapter; something which also shows how Pasternak had roots in music.

Tuesday, 25 November 2008

Lee Miller

Lee Miller

From Wikipedia, the free encyclopedia



Lee Miller

Cover of the biography Lives of Lee Miller by her son Antony Penrose
Birth nameElizabeth Miller
BornApril 23, 1907(1907-04-23)
Poughkeepsie, NY
DiedJuly 21, 1977 (aged 70)
Chiddingly, Sussex
NationalityAmerican
FieldSurrealism, Art photography and photojournalism
TrainingMan Ray
MovementSurrealism

Elizabeth 'Lee' Miller, Lady Penrose (23 April 1907 - 21 July 1977) was an American photographer. Born in Poughkeepsie, New York State in 1907, she was a successful fashion model in New York City in the 1920s before going to Paris where she became an established fashion and fine art photographer. During the Second World War, she became an acclaimed war correspondent for Vogue magazine covering events such as the London Blitz, the liberation of Paris, and the concentration camps at Buchenwald and Dachau.

Contents

Early life

Elizabeth Miller was born on April 23, 1907 in Poughkeepsie, New York. Her parents were Theodore and Florence Miller (née MacDonald). Her father was of German descent, and her mother a Canadian of Scottish and Irish descent. She had a younger brother named Erik, and older brother named John. Theodore always favored Elizabeth, and he often used her as a model for his amateur photography. When Elizabeth was seven years old, she was raped while staying with a family friend in Brooklyn. Soon after, it was realized that Elizabeth had contracted gonorrhea.[1]

Career

Modelling

Her father, Theodore Miller, an engineer, inventor and businessman, introduced Lee and her brothers, John and Erik, to photography from an early age. She was his model--with many stereoscopic photographs taken of a teenage Lee in the nude--and he also showed her technical aspects of the art.[2] At age 19 she was stopped from walking in front of a car on a Manhattan street by the founder of Vogue magazine, Condé Nast, thus launching her modeling career when she appeared on the cover of the March 1927 edition in an illustration by George Lepape. For the next two years, she was one of the most sought after models in New York, photographed by the likes of Edward Steichen, Arnold Genthe, and Nickolas Murray. A photograph of Lee by Steichen was used to advertise a female hygienic product (Kotex) causing a scandal.[3]

Photography

In 1929 she traveled to Paris with the intention of apprenticing herself to the surrealist artist and photographer Man Ray. Although, at first, he insisted that he did not take students, Miller soon became his photographic assistant, as well as his lover and muse. While she was in Paris, she began her own photographic studio, often taking over Man Ray's fashion assignments to enable him to concentrate on his painting. In fact, many of the photographs taken during this period and credited to Man Ray were actually taken by Lee. Together with Man Ray, she rediscovered the photographic technique of solarisation. She was an active participant in the surrealist movement, with her witty and humorous images. Amongst her circle of friends were Pablo Picasso, Paul Éluard, and Jean Cocteau. She even appeared as a statue that comes to life in Cocteau's The Blood of a Poet (1930).

After leaving Man Ray and Paris in 1932, she returned to New York and established a portrait and commercial photography studio with her brother Erik as her darkroom assistant. During this year she was included in the Modern European Photography exhibition at the Julien Levy Gallery in New York. In 1933 Levy gave Miller the only solo exhibition of her life.[4] Among her portrait clients were the surrealist artist Joseph Cornell, actresses Lilian Harvey and Gertrude Lawrence, and the African-American cast of the Virgil Thomson-Gertrude Stein opera Four Saints in Three Acts (1934).

In 1934, she abandoned her studio to marry Egyptian businessman, Aziz Eloui Bey, who had come to New York to buy equipment for the Egyptian Railways. Although she did not work as a professional photographer during this period, the photographs she took while living in Egypt with Bey, including "Portrait of Space", are regarded as some of her most striking surrealist images. By 1937, Lee had grown bored with her life in Cairo and she returned to Paris, where she met her future husband, the British surrealist painter and curator Roland Penrose. Her photographs were not included in another exhibition until 1955, when her work was displayed with The Family of Man exhibition at the Museum of Modern Art in New York City.[5]

World War II

With the outbreak of the Second World War, Miller had separated from Bey and was living in Hampstead, London with Roland when the bombing of the city began. Ignoring pleas from friends and family to return to the US, Miller embarked on a new career in photojournalism as the official war photographer for Vogue documenting the Blitz. Lee was accredited into the U.S. Army as a war correspondent for Condé Nast Publications from December 1942. She teamed up with the American photographer David E. Scherman, a Life Magazine correspondent on many assignments. Miller travelled to France less than a month after D-Day and recorded the first use of napalm at the siege of St. Malo, the liberation of Paris, the battle for Alsace, and the horror of the Nazi concentration camps at Buchenwald and Dachau. One photograph by Scherman of Miller in the bathtub of Adolf Hitler's house in Munich is one of the most iconic images from the Miller-Scherman partnership.

During this time, Miller photographed dying children in a Vienna Hospital, peasant life in post-war Hungary and finally the execution of Prime Minister Lazlo Bardossy. After the war she continued to work for Vogue for a further 2 years, covering fashion and celebrities.

England

After returning to Britain from eastern Europe, Lee started to suffer from severe episodes of clinical depression and what later became known as post-traumatic stress syndrome. She began to drink heavily, and became uncertain about her future. In 1946, she traveled with Roland to the United States where she visited Man Ray in California. After she discovered she was pregnant with her only son, Antony, she divorced Bey and, on May 3, 1947 married Roland. Antony was born in September 1947. In 1949, they bought Farley Farm House in Sussex. During the 1950s and 1960s, Farley Farm became a sort of artistic Mecca for visiting artists such as Picasso, Man Ray, Henry Moore, Eileen Agar, Jean Dubuffet, Dorothea Tanning, and Max Ernst. While Miller continued to do the occasional photo shoot for Vogue, she soon discarded the darkroom for the kitchen becoming a successful gourmet cook. She also photographed for biographies Roland wrote about Picasso and Antoni Tapies. However, images from the war, especially the concentration camps, continued to haunt her and she started on what Antony describes as a "downward spiral". Her depression may have been accelerated by her husband's long affair with the trapeze artist Diane Deriaz.[2] Lee rarely talked about her war experiences but it inevitably had harsh effects on her health and her relationship with her family.

Miller died from cancer at Farley Farm House in Chiddingly, Sussex in 1977, aged 70. She was cremated, and her ashes spread through her herb garden at Farley Farm House.

 

Legacy

Throughout her life, Miller did very little to promote her own photographic work. That Miller's work is known today is mainly due to the efforts of her son, Antony, who has been studying, conserving, and promoting his mother's work since the early 1980s. Her pictures are accessible at the Lee Miller Archive.[6]

In 1985, the first biography of Miller entitled "The Lives of Lee Miller" was written by Antony Penrose. Since then, a number of books, mostly accompanying exhibitions of Miller's photographs, have been written by art historians and writers such as Jane Livingstone, Richard Calvocoressi, and Mark Haworth-Booth. In 2005 her life story was turned into a musical Six Pictures Of Lee Miller with music and lyrics by British composer Jason Carr. It premiered at The Chichester Festival Theatre (also in Sussex). Also in 2005 Carolyn Burke's substantial biography, Lee Miller, A Life, was published in the U.S. by Alfred A. Knopf and in the U.K. by Bloomsbury. In 2007, Traces of Lee Miller: Echoes from St Malo, an interactive CD and DVD about Miller's war photography in St Malo was released with the support of byHand Productions and Sussex University.

 

References

  1. ^ Carolyn Burke. Lee Miller: A life. Alfred A. Knopf, 2005
  2. ^ a b Francine Prose. The Lives of the Muses. Perennial (2002). 
  3. ^ "Photographer Lee Miller and Kotex menstrual pads".
  4. ^ Becky Conekin. Lee Miller: Model, Photographer and War Correspondent in Vogue. 2006.
  5. ^ Jane Livingston. Lee Miller: Photographer. Thames & Hudson 1989.
  6. ^ Lee Miller Archive

[Also worth a look! - James]

Wednesday, 5 November 2008

Swastika

Swastika

From Wikipedia, the free encyclopedia



The swastika in a decorative Hindu form. The swastika in a decorative Hindu form.
The swastika in a decorative Hindu form.
The swastika was used as an official emblem of the Nazi Party, a use sometimes continued by modern Neo-Nazis.

The swastika (from Sanskrit: sv·stika) is an equilateral cross with its arms bent at right angles, in either right-facing form or its mirrored left-facing form. The swastika can also be drawn as a traditional swastika, but with a second 90∞ bend in each arm.

Archaeological evidence of swastika-shaped ornaments dates from the Neolithic period. An ancient symbol, it occurs mainly in the cultures that are in modern day India and the surrounding area, sometimes as a geometrical motif (as in the Roman Republic and Empire) and sometimes as a religious symbol. It was long widely used in major world religions such as Hinduism, Buddhism and Jainism.

Though once commonly used all over much of the world without stigma, because of its iconic usage in Germany, the symbol has become controversial in the Western world.

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